Sunday, May 26, 2013

BW22: Crime and Punishment - Fyodor Dostoyevsky

 

Book #11 in Susan Wise Bauer's list of great fiction in Well Educated Mind is Fyodor Dostoevsky's Crime and Punishment.   The story was first published in 1866 in a literary journal, The Russian Messenger in 12 monthly installments.  It was later published in novel form.

Synopsis:  the story of Raskolnikov, an impoverished student tormented by his own thoughts after he brutally murders an old woman. Overwhelmed afterwards by guilt and terror, Raskolnikov confesses and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering.



Chapter one:  

On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge.

He had successfully avoided meeting his landlady on the staircase. His garret was under the roof of a high, five-storied house and was more like a cupboard than a room. The landlady who provided him with garret, dinners, and attendance, lived on the floor below, and every time he went out he was obliged to pass her kitchen, the door of which invariably stood open. And each time he passed, the young man had a sick, frightened feeling, which made him scowl and feel ashamed. He was hopelessly in debt to his landlady, and was afraid of meeting her.

This was not because he was cowardly and abject, quite the contrary; but for some time past he had been in an overstrained irritable condition, verging on hypochondria. He had become so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but anyone at all. He was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him. He had given up attending to matters of practical importance; he had lost all desire to do so. Nothing that any landlady could do had a real terror for him. But to be stopped on the stairs, to be forced to listen to her trivial, irrelevant gossip, to pestering demands for payment, threats and complaints, and to rack his brains for excuses, to prevaricate, to lie—no, rather than that, he would creep down the stairs like a cat and slip out unseen.

This evening, however, on coming out into the street, he became acutely aware of his fears.
“I want to attempt a thing like that and am frightened by these trifles,” he thought, with an odd smile. “Hm… yes, all is in a man’s hands and he lets it all slip from cowardice, that’s an axiom. It would be interesting to know what it is men are most afraid of. Taking a new step, uttering a new word is what they fear most…. But I am talking too much. It’s because I chatter that I do nothing. Or perhaps it is that I chatter because I do nothing. I’ve learned to chatter this last month, lying for days together in my den thinking… of Jack the Giant-killer. Why am I going there now? Am I capable of that? Is that serious? It is not serious at all. It’s simply a fantasy to amuse myself; a plaything! Yes, maybe it is a plaything.”

The heat in the street was terrible: and the airlessness, the bustle and the plaster, scaffolding, bricks, and dust all about him, and that special Petersburg stench, so familiar to all who are unable to get out of town in summer—all worked painfully upon the young man’s already overwrought nerves. The insufferable stench from the pot-houses, which are particularly numerous in that part of the town, and the drunken men whom he met continually, although it was a working day, completed the revolting misery of the picture. An expression of the profoundest disgust gleamed for a moment in the young man’s refined face. He was, by the way, exceptionally handsome, above the average in height, slim, well-built, with beautiful dark eyes and dark brown hair. Soon he sank into deep thought, or more accurately speaking into a complete blankness of mind; he walked along not observing what was about him and not caring to observe it. From time to time, he would mutter something, from the habit of talking to himself, to which he had just confessed. At these moments he would become conscious that his ideas were sometimes in a tangle and that he was very weak; for two days he had scarcely tasted food.

He was so badly dressed that even a man accustomed to shabbiness would have been ashamed to be seen in the street in such rags. In that quarter of the town, however, scarcely any shortcoming in dress would have created surprise. Owing to the proximity of the Hay Market, the number of establishments of bad character, the preponderance of the trading and working class population crowded in these streets and alleys in the heart of Petersburg, types so various were to be seen in the streets that no figure, however queer, would have caused surprise. But there was such accumulated bitterness and contempt in the young man’s heart, that, in spite of all the fastidiousness of youth, he minded his rags least of all in the street. It was a different matter when he met with acquaintances or with former fellow students, whom, indeed, he disliked meeting at any time. And yet when a drunken man who, for some unknown reason, was being taken somewhere in a huge wagon dragged by a heavy dray horse, suddenly shouted at him as he drove past: “Hey there, German hatter” bawling at the top of his voice and pointing at him—the young man stopped suddenly and clutched tremulously at his hat. It was a tall round hat from Zimmerman’s, but completely worn out, rusty with age, all torn and bespattered, brimless and bent on one side in a most unseemly fashion. Not shame, however, but quite another feeling akin to terror had overtaken him.

“I knew it,” he muttered in confusion, “I thought so! That’s the worst of all! Why, a stupid thing like this, the most trivial detail might spoil the whole plan. Yes, my hat is too noticeable…. It looks absurd and that makes it noticeable…. With my rags I ought to wear a cap, any sort of old pancake, but not this grotesque thing. Nobody wears such a hat, it would be noticed a mile off, it would be remembered…. What matters is that people would remember it, and that would give them a clue. For this business one should be as little conspicuous as possible…. Trifles, trifles are what matter! Why, it’s just such trifles that always ruin everything….”


Continuing reading or listen to the rest of the story here or here.

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Sunday, May 19, 2013

BW21: Literary Birthdays




Armchair traveling through the continents is and has been a fun and educational experience since I normally don't seek out literature from specific regions. Plus discussing books weekly with the gals on the Well Trained Mind forum has introduced me to authors I never considered reading before.  Which brings me to literary birthdays this week. We have an intriguing selection of authors to check out.

Today, May 19 is the anniversary of Lorraine Vivian Hansberry's birthday, best known for her 1959 play Raisin in the Sun, a play based on her family's experiences in chicago during the 1930's/40's.  A film version with the original cast including Sidney Poitier was released in 1961, a musical adaptation in 1973 and turned into a movie with Danny Glover in 1989.  Hansberry died of pancreatic cancer January 12, 1965.

May 20th  is the anniversary of French Novelist Honore de Balzac (1799 -1850)who wrote 80 novels and short stories collectively called  La Comédie humaine,(The Human Comedy).

May 21st is the anniversary of Italian author Dante Alighiere,(1265-1321) author of The Divine Comedy, Inferno, Purgatorio and Paradiso.

May 22nd is the anniversary of Sir Arthur Conan Doyle (1859-1930), best known for his fictional series about Sherlock Holmes.

May 23rd is the anniversary of  Thomas Hood (1799-1845), English poet and playwright  and John Howard Payne, (1791 - 1852) American poet and author who is best remembered for his 1822 song "Home Sweet Home."

May 24th is the 85 birthday of irish novelist William Trevor, who won the Booker Prize in 2009 for his novel Love and Summer and knighted in 2002 for his services in literature.

May 25th is the anniversary of Ralph Waldo Emerson (1803-1882), american poet and essayist.

Consider adding one or more of these authors to your reading wishlist. 


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  Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post.

Sunday, May 12, 2013

BW20: Happy Mother's Day

Willow Tree - Mother and Son

Happy mother's day!  Since I became a mother, I've learned that a mother's love is unconditional (or should be)  When my son was little, we used to read Lisa McCourt's I Love You Stinky Face and it's one book I never could get rid of.  It's binding is taped together now because of how often we read it and to this day the sentiment in the story has stuck with us. Even though my son is now 13, he still ends the day with 'Mom, I love you no matter what.' 




More Than A Mother 

When God set the world in place,
when He hung the stars up in space,
when He made the land and the sea,
then He made you and me.

He sat back and saw all that was good,
He saw things to be as they should.
Just one more blessing He had in store;
He created a mother, but whatever for?

He knew a mother would have a special place
to shine His reflection on her child's face.
A mother will walk the extra mile
just to see her children smile.

She'll work her fingers to the bone
to make a house into a home.
A mother is there to teach and guide,
a mother will stay right by your side.

She'll be there through your pain and strife,
she'll stay constant in your life.
A mother will lend a helping hand
until you have the strength to stand.

She'll pick you up when you are down,
when you need a friend she'll stick around.
A mother is one who listens well,
will keep her word; will never tell.

A mother never pokes or pries
but stands quietly by your side,
giving you the strength you need,
encouraging you to succeed.

A mother is one who can be strong
when you need someone to lean on.
You're more than a mother to me;

a reflection of Him in your face I see,
a love that knows no boundaries.
I'm glad that you chose to be
all this and more to me.

You share a love that knows no end,
you're more than my mother,
you are my friend.

Kari Keshmiry

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Sunday, May 5, 2013

BW19: Out of Africa

Hey, it's May! Are you ready to gad about Africa?  I'm ready to sail across the south Atlantic ocean to Cape Town and wind my way up through the continent of Africa. It is the 2nd largest continent covering about 11.7 square million miles with 54 countries so lots of ground to cover.   Currently in my backpack is Chinua Achebe's, Things Fall Apart, Sena Jeter Naslund's Adam and Eve, and Chimamanda Adichie's Half of a Yellow Sun.   Adichie has a wonderful speech, courtesy of Ted, talking about the Danger of a Single Story, which I've  mentioned before, but if you haven't listened to it yet, now's the time.  You'll definitely want to read one of her books, once you've heard her speak. 

If you click on the Out of Africa link up in the linkbar, you'll discover links to a variety of African authors.  Check out the list on Goodreads and Ivor Hartmann's list of must read African Authors.  And one of my new favorite sites, flavorwire, has a list of 10 Young African Writers You Should know.  Also check out Lost in Books - Take Away Saturday posts on fiction and non fiction selections from South Africa, Egypt, Kenya and Zimbabwe.



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Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post.
 

Sunday, April 28, 2013

BW18: Bookish News





In the past year or so I read my first Dean Koontz novel and it was author love at first sight.  Although I positively can't stand horror, I do love psychological thrillers and he does them well. Cold Fire is next up in the stacks for My A to Z Challenge.   I've been enjoying his Odd Thomas series and am so happy that Odd Apocalypse will be available in paperback on April 30th and the next book in the series Deeply Odd will be released May 28th.  It's odd (no pun intended) that there are certain authors whose books I prefer to enjoy in paperback or hardback form, rather than ebook.  I guess it's the whole sensory experience of reading a book and some are just meant to be savored more than others.   And there are some books that you just don't want to end, because when you get there, you want there to be more and if not, just to be left with that satisfied, gourmet meal stuffed feeling and couldn't possibly eat another bite. 

Which leads me to Jessica Soffer of Publisher Weekly's Ten Best Book Endings.  No she doesn't give it away but leaves you with the urge to read the books. 

Speaking of endings,  my favorite group murder mystery writers blog - Murderati - is coming to an end. The contributing authors, including old members who moved on, have spent the month of April reminiscing and saying goodbye.  Be sure to drop by and wish them well on their future endeavors.  Now I need to find a new favorite group blog.

Authors who share their birthdays today:

Lois Duncan
Harper Lee
Alistair MacLean
Terry Pratchett
Ian Rankin
Violet Winspear

 Which reminds me that I have Harper Lee's To Kill a Mockingbird in my stacks which *gasp* I've never read.  Now would be a perfect time, don't you think?  Which classic have you had in your stacks forever but just haven't gotten around to reading it yet?


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Sunday, April 21, 2013

BW17: Gustave Flaubert's Madame Bovary


Happy Sunday.  For those of you, including me, working your way through Susan Wise Bauer's Well Educated Mind, today highlighting another book from the list of great fiction. Since we've already read # 8 Moby Dick and since # 9's Uncle Tom's Cabin verbiage is such that I don't feel comfortable posting the first chapter, I'm moving on to # 10 Madame Bovary

Madame Bovary was Gustave's first published novel which he began writing in 1851 and worked on it for 5 years before having it published in the Paris Review in serialized form. The content was considered shocking and vulgar and Gustave, the publisher and the printer were put on trial for insulting public and religious morality. He was cleared due to the support from folks in both the political and artistic arena and the book soon became a bestseller.  The story about Emma Bovary, an unhappily married woman,  who indulges in a number of forbidden relationships in order to escape the emptiness of provincial life. Gustave is said to have been strongly inspired and influenced by French novelist Honore De Balzac’s writings.  

Chapter one

We were in class when the head-master came in, followed by a "new fellow," not wearing the school uniform, and a school servant carrying a large desk. Those who had been asleep woke up, and every one rose as if just surprised at his work.'

The head-master made a sign to us to sit down. Then, turning to the class-master, he said to him in a low voice--'

"Monsieur Roger, here is a pupil whom I recommend to your care; he'll be in the second. If his work and conduct are satisfactory, he will go into one of the upper classes, as becomes his age."

The "new fellow," standing in the corner behind the door so that he could hardly be seen, was a country lad of about fifteen, and taller than any of us. His hair was cut square on his forehead like a village chorister's; he looked reliable, but very ill at ease. Although he was not broad-shouldered, his short school jacket of green cloth with black buttons must have been tight about the arm-holes, and showed at the opening of the cuffs red wrists accustomed to being bare. His legs, in blue stockings, looked out from beneath yellow trousers, drawn tight by braces, He wore stout, ill-cleaned, hob-nailed boots.

We began repeating the lesson. He listened with all his ears, as attentive as if at a sermon, not daring even to cross his legs or lean on his elbow; and when at two o'clock the bell rang, the master was obliged to tell him to fall into line with the rest of us.

When we came back to work, we were in the habit of throwing our caps on the ground so as to have our hands more free; we used from the door to toss them under the form, so that they hit against the wall and made a lot of dust: it was "the thing."

But, whether he had not noticed the trick, or did not dare to attempt it, the "new fellow," was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order, in which we can find traces of the bearskin, shako, billycock hat, sealskin cap, and cotton night-cap; one of those poor things, in fine, whose dumb ugliness has depths of expression, like an imbecile's face. Oval, stiffened with whalebone, it began with three round knobs; then came in succession lozenges of velvet and rabbit-skin separated by a red band; after that a sort of bag that ended in a cardboard polygon covered with complicated braiding, from which hung, at the end of a long thin cord, small twisted gold threads in the manner of a tassel. The cap was new; its peak shone.

"Rise," said the master.

He stood up; his cap fell. The whole class began to laugh. He stooped to pick it up. A neighbor knocked it down again with his elbow; he picked it up once more.

"Get rid of your helmet," said the master, who was a bit of a wag.

There was a burst of laughter from the boys, which so thoroughly put the poor lad out of countenance that he did not know whether to keep his cap in his hand, leave it on the ground, or put it on his head. He sat down again and placed it on his knee.

"Rise," repeated the master, "and tell me your name."

The new boy articulated in a stammering voice an unintelligible name.

"Again!"

The same sputtering of syllables was heard, drowned by the tittering of the class.

"Louder!" cried the master; "louder!"

The "new fellow" then took a supreme resolution, opened an inordinately large mouth, and shouted at the top of his voice as if calling someone in the word "Charbovari."

A hubbub broke out, rose in crescendo with bursts of shrill voices (they yelled, barked, stamped, repeated "Charbovari! Charbovari"), then died away into single notes, growing quieter only with great difficulty, and now and again suddenly recommencing along the line of a form whence rose here and there, like a damp cracker going off, a stifled laugh.

However, amid a rain of impositions, order was gradually re-established in the class; and the master having succeeded in catching the name of "Charles Bovary," having had it dictated to him, spelt out, and re-read, at once ordered the poor devil to go and sit down on the punishment form at the foot of the master's desk. He got up, but before going hesitated.

"What are you looking for?" asked the master.

"My c-a-p," timidly said the "new fellow," casting troubled looks round him.

"Five hundred lines for all the class!" shouted in a furious voice stopped, like the Quos ego (A quotation from the Aeneid signifying a threat, a fresh outburst. "Silence!" continued the master indignantly, wiping his brow with his handkerchief, which he had just taken from his cap. "As to you, 'new boy,' you will conjugate 'ridiculous sum' twenty times."'  Then, in a gentler tone, "Come, you'll find your cap again; it hasn't been stolen."

Quiet was restored. Heads bent over desks, and the "new fellow" remained for two hours in an exemplary attitude, although from time to time some paper pellet flipped from the tip of a pen came bang in his face. But he wiped his face with one hand and continued motionless, his eyes lowered.

In the evening, at preparation, he pulled out his pens from his desk, arranged his small belongings, and carefully ruled his paper. We saw him working conscientiously, looking up every word in the dictionary, and taking the greatest pains. Thanks, no doubt, to the willingness he showed, he had not to go down to the class below. But though he knew his rules passably, he had little finish in composition. It was the cure of his village who had taught him his first Latin; his parents, from motives of economy, having sent him to school as late as possible.....

Continue reading Chapter 1 and the rest of the story here or here and for more background on Gustave click here.

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Judge a book by cover


Between the folks voting on Well Trained Mind forums and comments here,  The Boy From Reactor 4 received the most votes and the other three books all tied for 2nd. 

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Sunday, April 14, 2013

BW16: Judge a book by its cover



Most of the time, when picking out a book at the bookstore or shopping online, I look for a familiar author or a book someone has recommended.  And sometimes there are books that catch my eye because of an intriguing picture or interesting title.  A few years back, a blogger friend of mine posed a challenge to pick a book based on its cover. The catch however was not to read the synopsis or reviews or anything else that would tell you what the book is about.  Pick the book, blog what you think the book is about, then read it and find out if your supposition was correct.   I've actually come across some very interesting books using that method.  So I went on Amazon and looked at  the new releases and chose books by authors I've never read and whose covers and titles interested me.  And the hard part was not looking at the book description.  Easier said than done especially when you are as nosy as I am. But I resisted the temptation and these are the ones I found.


A.G. Riddle - The Atlantis Gene
Kendra Elliot - Buried
James Hankins - Brothers and Bones
Orest Stelmach - The Boy from Reactor 4

So which one do you think I should read?   I'll read the one that receives the most votes and let you know what I think the story is about and what it ended up really being about.   Join in the fun. Go the the library, bookstore or online and  pick a book based on its title or cover.


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 Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post. 


Sunday, April 7, 2013

BW15: Latin American Poetry

Pablo Neruda

It is apropos we are armchair traveling through South America and April is National Poetry Month. Especially since we have two South American writers who have won the Nobel Prize for Literature.

Gabriel Mistral, the first female Latin American to win the prize in 1945 “for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world”


Chilean poet Pablo Neruda,  who according to Gabrial Garcia Marquez, "is the greatest poet of the 20th century in any language."  Neruda won the Nobel Prize for Literature in 1971 "for a poetry that with the action of an elemental force brings alive a continent's destiny and dreams"

Not to be overlooked is also North American poet, Octavio Paz from Mexico City, Mexico who was encouraged by Pablo Neruda to write poetry and won the Nobel Prize for Literature in 1990 "for impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity".

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We have to discard the past
and, as one builds
floor by floor, window by window,
and the building rises,
so do we go on throwing down
first, broken tiles,
then pompous doors,
until out of the past
dust rises
as if to crash
against the floor,
smoke rises
as if to catch fire,
and each new day
it gleams
like an empty
plate.
There is nothing, there is always nothing.
It has to be filled
with a new, fruitful
space,
then downward
tumbles yesterday
as in a well
falls yesterday's water,
into the cistern
of all still without voice or fire.
It is difficult to teach bones
to disappear,
to teach eyes
to close
but
we do it
unrealizing.
It was all alive,
alive, alive, alive
like a scarlet fish
but time
passed over its dark cloth
and the flash of the fish
drowned and disappeared.
Water water water
the past goes on falling
still a tangle
of bones
and of roots;
it has been, it has been, and now
memories mean nothing.
Now the heavy eyelid
covers the light of the eye
and what was once living
now no longer lives;
what we were, we are not.
And with words, although the letters
still have transparency and sound,
they change, and the mouth changes;
the same mouth is now another mouth;
they change, lips, skin, circulation;
another being has occupied our skeleton;
what once was in us now is not.
It has gone, but if the call, we reply;
"I am here," knowing we are not,
that what once was, was and is lost,
is lost in the past, and now will not return.

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Sleep, sleep, my beloved,
without worry, without fear,
although my soul does not sleep,
although I do not rest.

Sleep, sleep, and in the night
may your whispers be softer
than a leaf of grass,
or the silken fleece of lambs.

May my flesh slumber in you,
my worry, my trembling.
In you, may my eyes close
and my heart sleep. 

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Listen to me as one listens to the rain,
not attentive, not distracted,
light footsteps, thin drizzle,
water that is air, air that is time,
the day is still leaving,
the night has yet to arrive,
figurations of mist
at the turn of the corner,
figurations of time
at the bend in this pause,
listen to me as one listens to the rain,
without listening, hear what I say
with eyes open inward, asleep
with all five senses awake,
it's raining, light footsteps, a murmur of syllables,
air and water, words with no weight:
what we are and are,
the days and years, this moment,
weightless time and heavy sorrow,
listen to me as one listens to the rain,
wet asphalt is shining,
steam rises and walks away,
night unfolds and looks at me,
you are you and your body of steam,
you and your face of night,
you and your hair, unhurried lightning,
you cross the street and enter my forehead,
footsteps of water across my eyes,
listen to me as one listens to the rain,
the asphalt's shining, you cross the street,
it is the mist, wandering in the night,
it is the night, asleep in your bed,
it is the surge of waves in your breath,
your fingers of water dampen my forehead,
your fingers of flame burn my eyes,
your fingers of air open eyelids of time,
a spring of visions and resurrections,
listen to me as one listens to the rain,
the years go by, the moments return,
do you hear the footsteps in the next room?
not here, not there: you hear them
in another time that is now,
listen to the footsteps of time,
inventor of places with no weight, nowhere,
listen to the rain running over the terrace,
the night is now more night in the grove,
lightning has nestled among the leaves,
a restless garden adrift-go in,
your shadow covers this page. 



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Sunday, March 31, 2013

BW14: New book releases and readalong


Happy Sunday and Happy Easter to those who celebrate. We've had a restful and relaxing Spring Break and I've been curled up in an easy chair for most of the week with my nose in a book or meandering about the internet.  All those things on my to do list...are still there.  But do I feel guilty about it.  Not in the least.  *grin*  In my meanderings about the interwebz I came across some new releases that intrigued me. 


Z: A Novel of Zelda Fitzgerald


Synopsis:  When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the “ungettable” Zelda has fallen for him despite his unsuitability: Scott isn’t wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner’s, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick’s Cathedral and take the rest as it comes.

What comes, here at the dawn of the Jazz Age, is unimagined attention and success and celebrity that will make Scott and Zelda legends in their own time. Everyone wants to meet the dashing young author of the scandalous novel—and his witty, perhaps even more scandalous wife. Zelda bobs her hair, adopts daring new fashions, and revels in this wild new world. Each place they go becomes a playground: New York City, Long Island, Hollywood, Paris, and the French Riviera—where they join the endless party of the glamorous, sometimes doomed Lost Generation that includes Ernest Hemingway, Sara and Gerald Murphy, and Gertrude Stein.

Everything seems new and possible. Troubles, at first, seem to fade like morning mist. But not even Jay Gatsby’s parties go on forever. Who is Zelda, other than the wife of a famous—sometimes infamous—husband? How can she forge her own identity while fighting her demons and Scott’s, too? With brilliant insight and imagination, Therese Anne Fowler brings us Zelda’s irresistible story as she herself might have told it. 


For those who have read F. Scott Fitzgerald's  Tender is the Night , it was written during one of the darkest periods in his life when Zelda was hospitalized for Schizophrenia.  She also wrote a semi autographical book Save me the Waltz while in the clinic which infuriated Fitzgerald because it contained autobiographical material he intended to use  for Tender is the Night.  He forced her to revise it although she did, there are parallels between the two stories regarding their marriage.  It would be interesting to compare the two stories.


Another book that jumped out at me weirdly enough was The Drunken Botanist: The Plants that create the World's Great Drinks by Amy Stewart which lead me to Wicked Plants: The Weed that Killed Lincoln's Mother.  My son and I have had many a conversation about Lincoln's mother and how she died from milk sickness so of course I had to buy it.






Also being released this week,  from Paulo Coelho, author of The Alchemist is his newest book Manuscript Found in Accra  which I'll be reviewing this week on My Two Blessings on April 5th.




Synopsis:  July 14, 1099. Jerusalem awaits the invasion of the crusaders who have surrounded the city’s gates. There, inside the ancient city’s walls, men and women of every age and every faith have gathered to hear the wise words of a mysterious man known only as the Copt. He has summoned the townspeople to address their fears with truth: 

“Tomorrow, harmony will become discord. Joy will be replaced by grief. Peace will give way to war. . . . None of us can know what tomorrow will hold, because each day has its good and its bad moments. So, when you ask your questions, forget about the troops outside and the fear inside. Our task is not to leave a record of what happened on this date for those who will inherit the Earth; history will take care of that. Therefore, we will speak about our daily lives, about the difficulties we have had to face.” 

The people begin with questions about defeat, struggle, and the nature of their enemies; they contemplate the will to change and the virtues of loyalty and solitude; and they ultimately turn to questions of beauty, love, wisdom, sex, elegance, and what the future holds. “What is success?” poses the Copt. “It is being able to go to bed each night with your soul at peace.” 

Now, these many centuries later, the wise man’s answers are a record of the human values that have endured throughout time. And, in Paulo Coelho’s hands, The Manuscript Found in Accra reveals that who we are, what we fear, and what we hope for the future come from the knowledge and belief that can be found within us, and not from the adversity that surrounds us.  

What new books have you discovered lately? 



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1Q84 Readalong 
Those who were interested in reading Hopscotch, finished just in time for our April Readalong - 1Q84 by Haruki Murakami.  It is a chunkster at around 1000 pages depending on whether you are reading the Hardback or paperback.  1Q84 originally was published in three volumes in Japan in 2009-2010 and released as one book in North American in 2011.  As with Hopscotch (thank you Stacia), I became interested in reading the book after hearing several  people talk about it and since quite a few already had the book in their stacks proposed a readalong. Our readalong will begin April 7th which should give more folks time to obtain the book if they haven't already or clear the decks to dive into the story.  It is according to Murakami,  a mind bending ode to George Orwell's 1984.  



The year is 1984 and the city is Tokyo.


A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.

As Aomame’s and Tengo’s narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.

A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.
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Sunday, March 24, 2013

BW13: Chinua Achebe



Chinua Achebe - courtesy of Goodreads

On March 21st, Nigerian author Chinua Achebe, seen by many as the father of African literature, passed away at the age of 82.   He is most well known for his novel Things Fall Apart, a book I've had on my wishlist and have been meaning to read for quite a while ever since I read Heart of Darkness by Joseph Conrad.  A few years back I took a film versus literature course in which one of the books we compared was Conrad's book with the movie Apocalypse Now.  Included in the book were several essays including one written by Achebe called An Image of Africa: Racism in Conrad's Heart of Darkness.  It was a reprisal of a lecture he had given in 1975 tackling the racism portrayed in the story.  Achebe believed that not only were the ideas in the book racist, but reflected the author's personal beliefs.

       The point of my observations should be quite clear by now, namely that Joseph Conrad was a thoroughgoing racist.  That this simple truth is glossed over in criticisms of his work is due to the fact that white racism against Africa is such a normal way of thinking that its manifestations go completely unremarked. Students of Heart of Darkness will often tell you that Conrad is concerned not so much with Africa as with the deterioration of one European mind caused by solitude and sickness. They will point out to you that Conrad is, if anything, less charitable to the Europeans in the story than he is to the natives, that the point of the story is to ridicule Europe's civilizing mission in Africa. A Conrad student informed me in Scotland that Africa is merely a setting for the disintegration of the mind of Mr. Kurtz.

       Which is partly the point. Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind? But that is not even the point. The real question is the dehumanization of Africa and Africans which this age-long attitude has fostered and continues to foster in the world. And the question is whether a novel which celebrates this dehumanization, which depersonalizes a portion of the human race, can be called a great work of art. My answer is: No, it cannot.

From an article by NPR's  Annalisa Quinn  Chinua Achebe and the Bravery of Lions:


Achebe, too, felt alienated by the depictions of Africa found in English novels, and identified Joseph Conrad as a particular foe. NPR's Robert Siegel, in an interview with Achebe, quoted an essay Achebe had written, "I was not on Marlow's boat steaming up the Congo in Heart of Darkness. Rather, I was one of those unattractive beings jumping up and down on the river bank making hard faces." Achebe told Siegel: "I realized how terribly, terribly wrong it was to portray my people, any people, from that attitude, from that point of view."

Having read Heart of Darkness I can totally understand his point of view and why I wanted to read Things Fall Apart. 



Synopsis:   "THINGS FALL APART tells two overlapping, intertwining stories, both of which center around Okonkwo, a “strong man” of an Ibo village in Nigeria. The first of these stories traces Okonkwo's fall from grace with the tribal world in which he lives, and in its classical purity of line and economical beauty it provides us with a powerful fable about the immemorial conflict between the individual and society.

The second story, which is as modern as the first is ancient, and which elevates the book to a tragic plane, concerns the clash of cultures and the destruction of Okonkwo's world through the arrival of aggressive, proselytizing European missionaries. These twin dramas are perfectly harmonized, and they are modulated by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. THINGS FALL APART is the most illuminating and permanent monument we have to the modern African experience as seen from within."
The book is now winging it way to me (thank you Amazon)  and I'll probably be reading it sooner than later.  Will I be rereading Heart of Darkness since it's been 3 or 4 years since I read it?  I don't know - It is a short novella that packs a punch and stays with you for a very long time.

Your mission, should you choose to accept it, in honor of Chinua Achebe, is sometime this year, read and compare Heart of Darkness with Things Fall Apart, then watch Apocalypse now. Check out his other books here.

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Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post.