Sunday, October 13, 2013

BW42: More Book News



Since we are trekking through Asia and having a spooktacular reading month,  I thought it would be interesting to see what interesting spooky or paranormal books are available.  


Japanese Ghost Stories

Synopsis:  Japanese Ghost Stories is a collection of the eerie and terrifying from around Japan. This book opens a window into the hidden aspects of the Japanese world of the paranormal, a place where trees grow human hair, rocks weep and there's even a graveyard where Jesus is reputed to have been buried. Covering ancient and modern times, Japanese Ghost Stories offers not only good, old-fashioned scary stories, but some special insights into Japanese culture and psychology.



Synopsis:   Forget Godzilla. Forget the giant beasties karate-chopped into oblivion by endless incarnations of Ultraman, Kamen Rider, and the Power Rangers. Forget Sadako from 'The Ring' and that creepy all-white kid from 'The Grudge.' Forget everything you know about tales of terror before reaching for this book.

Yokai Attack! is a nightmare-inducing one-stop guide to Japan's traditional creepy-crawlies. Yokai are ethereal sorts of beings, like ghosts, nearly always encountered at night; everyone has their own take on how they might look in real life and what sorts of specific characteristics and abilities they might have


 


Synopsis:  Eminent Chinese scholar John Minford's superb translation captures the consummate skill and understated humor of Pu Songling's classic Strange Tales from a Chinese Studio. With elegant prose, witty wordplay, and subtle charm, the 104 stories in this collection reveal a world in which nothing is as it seems. In his tales of shape-shifting spirits, bizarre phenomena, haunted buildings, and enchanted objects, Pu Songling pushes the boundaries of human experience and enlightens as he entertains.




Synopsis:  'The Disappearance of Tejas Sharma…and other hauntings’ is an anthology of 12 ghost stories mostly set in India, and is meant for an audience with a penchant for the supernatural. Even with the constraints of a short story, each tale is rich in details and these dozen stories cover all the time tested classical elements of supernatural fiction. From the story of the young man who inexplicably vanishes to the epic tale of the haunted Peepal tree in Rajasthan; from the true story of a ghost station in West Bengal to the medieval legend of the scary well on a remote island; from the mysterious tick and cross markings in a graveyard to the haunting music coming from a locked room…  

More books for your wishlist!

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 Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post.  




Sunday, October 6, 2013

BW41: October Spooktacular Reading Month



Are you ready for a Spooktacular Reading Month?   Or like some folks, did you get an early start in September.  If you haven't read Mary Shelley's Frankenstein or Bram Stoker's Dracula, now would be a perfect time to do so.  Wait, come back. Not right this minute, but this month.  *grin*    I've read them already, and thoroughly enjoyed them, although was really quite surprised because neither was quite what I expected.  Which is actually a good thing, because it keeps one from getting bored.  The mantra this month is expect the unexpected.  

Spooky doesn't have to necessarily mean horror.  I'm definitely not into the blood and guts type of books, but do love a great nail biting, give me goose bumps, don't turn off the lights read.  And there are plenty of scary, spooky, chilling, thrilling books that are psychological fiction, paranormal or just plain old thrillers. 

In that vein, I have a few spooky books on the shelves I will be reading and essentially still continuing with a Frankenstein and Dracula theme. 

I've fallen in love with Dean Koontz and his Odd Thomas series so I am happy to say he wrote a series in which he reworked the Frankenstein theme.  I'll be tackling the first book Frankenstein: Prodigal Son. I'll let you know what I think or if I manage to make it through the whole book.

 Every city has secrets. But none as terrible as this. His name is Deucalion, a tattooed man of mysterious origin, a sleight-of-reality artist who’s traveled the centuries with a secret worse than death. He arrives as a serial killer stalks the streets, a killer who carefully selects his victims for the humanity that is missing in himself. Detective Carson O’Connor is cool, cynical, and every bit as tough as she looks. Her partner Michael Maddison would back her up all the way to Hell itself–and that just may be where this case ends up. For the no-nonsense O’Connor is suddenly talking about an ages-old conspiracy, a near immortal race of beings, and killers that are more—and less—than human. Soon it will be clear that as crazy as she sounds, the truth is even more ominous. For their quarry isn’t merely a homicidal maniac—but his deranged maker.
Next up is Kim Newman's Anno Dracula series.  I read the first one a couple years back and it was quite imaginative, so I'm going to dive into The Bloody Red Baron
It is 1918 and Dracula is commander-in-chief of the armies of Germany and Austria-Hungary. The war of the great powers in Europe is also a war between the living and the dead. As ever the Diogenes Club is at the heart of British Intelligence and Charles Beauregard and his protegĂ© Edwin Winthrop go head-to-head with the lethal vampire flying machine that is the Bloody Red Baron…

From new to me author C.C. Humprey's is his historical thriller - Vlad: The Last Confession which according to Booklist: 
 

An unapologetic tale about a man who endured great losses and was driven by intense passion for his country and religion...the novel is aimed much more at readers interested in the historical origins of the Dracula stories than at those looking for another vampire story. As such, it succeeds admirably.

Neither do I think I could go wrong with Edgar Allan Poe's The Narrative of Arthur Gordon Pym and  Jules Verne's An Antarctic Mystery which was inspired by Poe's story and supposedly completes the mystery.  Plus H.P. Lovecraft's At the Mountain of Madness which was also inspired by Pym and takes place in the Antarctic. 


And last but not least, The Historian by Elizabeth Kostova, another historical fiction novel about Vlad, the impaler, which I've already began reading:

Breathtakingly suspenseful and beautifully written, The Historian is the story of a young woman plunged into a labyrinth where the secrets of her family's past connect to an inconceivable evil: the dark fifteenth-century reign of Vlad the Impaler and a time-defying pact that may have kept his awful work alive through the ages. The search for the truth becomes an adventure of monumental proportions, taking us from monasteries and dusty libraries to the capitals of Eastern Europe


What spooktacular books will you be reading this month?


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Sunday, September 29, 2013

BW40: Trek through Asia



My goodness, I lost track of time and had so much fun eurorailing through Europe, spent an extra month exploring the continent.  If you are doing the Continental, how about you?  Did you have such a grand time you spent extra time exploring or did you move on already? That's all right, I'll catch up to you soon.  It's time to move into Asia, and my first stop is Ekaterinburg to check out the great stone monument straddling the border of Asia and Europe.  One stone is from the furthest point of the European part, Cape Rock, another stone came from  the furthest point of the Asian part, Cape of Deghnev and symbolizes the union of two parts of the world.




I haven't quite figured out my route yet, so plan on trekking around Russia for a bit before boarding the international train and winding my way down through Mongolia to China.  Then I have decide whether I want to fly over to India and backtrack to Pakistan or continue on to Japan. Decisions, decisions!

Currently in my back pack is Boris Pasternak's Dr. Zhivago, Carlos Ruiz Zafon's The Midnight Palace,  Haruki Murakami's The Wind Up Bird Chronicles, Joel Rosenberg's Twelfth Iman, and Qui Xiaolong's A Loyal Character Dancer.

Check out the link above Trek through Asia where I've listed two or three books for each country to get you started. For all things Russian, from fiction to nonfiction to learning Russian, go to Russia Online.  Find out what books Chinese leaders are reading or check out Iran's Tabriz Book fair which starts today.  Head on over to Zeroland for a comprehensive list of all Japanese Literature - lots of fun links.

Happy traveling!



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Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post. 



Sunday, September 22, 2013

BW39: Banned Books Week



Banned Books Week was formed in 1982 as a response to the surge of challenges to books in schools, bookstores and libraries from different individuals, parents, groups, and organizations.  Since 1982, more than 11,300 books have been challenged for many reasons, including but not limited to sexual, political, anti-ethnic, anti family, violence, and profanity content.  During 2012, there were 464 challenges reported to the Office of Intellectual Freedom.  The ten most challenged titles last year were

  1. Captain Underpants (series), by Dav Pilkey:  
  2. The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie:   
  3. Thirteen Reasons Why, by Jay Asher:  
  4. Fifty Shades of Grey, by E. L. James.
  5.  And Tango Makes Three, by Peter Parnell and Justin Richardson.
  6.  The Kite Runner, by Khaled Hosseini.
  7.  Looking for Alaska, by John Green.
  8.  Scary Stories (series), by Alvin Schwartz
  9.  The Glass Castle, by Jeanette Walls
  10.  Beloved, by Toni Morrison


Over the years, at least 46 classics listed on Radcliff Publishing top 100 novels of the 20th Century have been challenged:


1. The Great Gatsby, by F. Scott Fitzgerald
2. The Catcher in the Rye, by J.D. Salinger
3. The Grapes of Wrath, by John Steinbeck
4. To Kill a Mockingbird, by Harper Lee
5. The Color Purple, by Alice Walker
6. Ulysses, by James Joyce
7. Beloved, by Toni Morrison
8. The Lord of the Flies, by William Golding
9. 1984, by George Orwell
11. Lolita, by Vladmir Nabokov
12. Of Mice and Men, by John Steinbeck
15. Catch-22, by Joseph Heller
16. Brave New World, by Aldous Huxley
17. Animal Farm, by George Orwell
18. The Sun Also Rises, by Ernest Hemingway
19. As I Lay Dying, by William Faulkner
20. A Farewell to Arms, by Ernest Hemingway
23. Their Eyes Were Watching God, by Zora Neale Hurston
24. Invisible Man, by Ralph Ellison
25. Song of Solomon, by Toni Morrison
26. Gone with the Wind, by Margaret Mitchell
27. Native Son, by Richard Wright
28. One Flew Over the Cuckoo's Nest, by Ken Kesey
29. Slaughterhouse-Five, by Kurt Vonnegut
30. For Whom the Bell Tolls, by Ernest Hemingway
33. The Call of the Wild, by Jack London
36. Go Tell it on the Mountain, by James Baldwin
38. All the King's Men, by Robert Penn Warren
40. The Lord of the Rings, by J.R.R. Tolkien
45. The Jungle, by Upton Sinclair
48. Lady Chatterley's Lover, by D.H. Lawrence
49. A Clockwork Orange, by Anthony Burgess
50. The Awakening, by Kate Chopin
53. In Cold Blood, by Truman Capote
55. The Satanic Verses, by Salman Rushdie
57. Sophie's Choice, by William Styron
64. Sons and Lovers, by D.H. Lawrence
66. Cat's Cradle, by Kurt Vonnegut
67. A Separate Peace, by John Knowles
73. Naked Lunch, by William S. Burroughs
74. Brideshead Revisited, by Evelyn Waugh
75. Women in Love, by D.H. Lawrence
80. The Naked and the Dead, by Norman Mailer
84. Tropic of Cancer, by Henry Miller
88. An American Tragedy, by Theodore Dreiser
97. Rabbit, Run, by John Updike

To find out more, click here to see yearly lists, frequently challenged books of the 21st century, 100 most frequently challenged books by decade and more.

I currently have Catcher in the Rye and To Kill a Mockingbird on my shelves.  Celebrate your freedom to read this week by reading a banned book.


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Sunday, September 15, 2013

BW38: Happy Birthday Agatha Christie

Agatha Christie - September 15, 1890

Happy Birthday to Dame Agatha Christie.  She is the author who created Hercule Poirot, Miss Marple, Tommy and Tuppence as well as Ariadne Oliver, Harley Quin and Parkey Pyne.  I admit I am more familiar with Poirot and Marple, than the other four, but will eventually make their acquaintance.  There are quite a few bloggers in the midst of perpetual Agatha Christie reading challenges. Some who are attempting to read her books in order and then others who are working their way through her works randomly.  I joined in about 5 years ago.  I'm more in the the random category and reading one a year so have only completed 5 of her many, many novels so far.  I probably should speed it up a bit, but like fine wine, like to savor her books.  Pitiful excuse, right.  *grin*  

The books I've completed so far are:

The Mysterious Affair at Styles
The Murder of Roger Akroyd 
Hercule Poirot's Christmas
Spider's Web
And Then There were None.


In honor of her birthday, I plan on reading book # 2 The Secret Adversary, her first Tommy and Tuppence mystery.  


Join me in reading Agatha Christie this week.  You can find her book list here or a chronological list here

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Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post. 


Saturday, September 7, 2013

BW37: Portrait of a Lady by Henry James

Book #14 in Susan Wise Bauer's list of great fiction in Well Educated Mind is Portrait of a Lady by Henry James. The story was first serialized The Atlantic Monthly and Macmillian's Magazine from 1880 to 1881, and then published as a book in 1881. 

Amazon Synopsis: The heroine of this powerful novel is the spirited young American Isabel Archer. Blessed by nature and fortune, she journeys to Europe to seek her future, but what she finds may prove to be her undoing. She is courted by three men: an English aristocrat, an American gentleman, and a sensitive expatriate. Her invalid cousin becomes her benefactor and adviser. But it is after the ingenuous Isabel falls prey to the schemes of an infinitely more sophisticated older woman that her life takes shape.




CHAPTER I


Under certain circumstances there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not--some people of course never do,--the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality.

Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shadows were long upon the smooth, dense turf. They lengthened slowly, however, and the scene expressed that sense of leisure still to come which is perhaps the chief source of one's enjoyment of such a scene at such an hour. From five o'clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure. The persons concerned in it were taking their pleasure quietly, and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned.

The shadows on the perfect lawn were straight and angular; they were the shadows of an old man sitting in a deep wicker-chair near the low table on which the tea had been served, and of two younger men strolling to and fro, in desultory talk, in front of him. The old man had his cup in his hand; it was an unusually large cup, of a different pattern from the rest of the set and painted in brilliant colours. He disposed of its contents with much circumspection, holding it for a long time close to his chin, with his face turned to the house.

His companions had either finished their tea or were indifferent to their privilege; they smoked cigarettes as they continued to stroll. One of them, from time to time, as he passed, looked with a certain attention at the elder man, who, unconscious of observation, rested his eyes upon the rich red front of his dwelling. The house that rose beyond the lawn was a structure to repay such consideration and was the most characteristic object in the peculiarly English picture I have attempted to sketch.

It stood upon a low hill, above the river--the river being the Thames at some forty miles from London. A long gabled front of red brick, with the complexion of which time and the weather had played all sorts of pictorial tricks, only, however, to improve and refine it, presented to the lawn its patches of ivy, its clustered chimneys, its windows smothered in creepers.

The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night's hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell's wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodelled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real aesthetic passion for it, so that he knew all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances which fell so softly upon the warm, weary brickwork--were of the right measure.

Besides this, as I have said, he could have counted off most of the successive owners and occupants, several of whom were known to general fame; doing so, however, with an undemonstrative conviction that the latest phase of its destiny was not the least honourable. The front of the house overlooking that portion of the lawn with which we are concerned was not the entrance-front; this was in quite another quarter. Privacy here reigned supreme, and the wide carpet of turf that covered the level hill-top seemed but the extension of a luxurious interior.

The great still oaks and beeches flung down a shade as dense as that of velvet curtains; and the place was furnished, like a room, with cushioned seats, with rich-coloured rugs, with the books and papers that lay upon the grass. The river was at some distance; where the ground began to slope the lawn, properly speaking, ceased. But it was none the less a charming walk down to the water.

The old gentleman at the tea-table, who had come from America thirty years before, had brought with him, at the top of his baggage, his American physiognomy; and he had not only brought it with him, but he had kept it in the best order, so that, if necessary, he might have taken it back to his own country with perfect confidence. At present, obviously, nevertheless, he was not likely to displace himself; his journeys were over and he was taking the rest that precedes the great rest.

He had a narrow, clean shaven face, with features evenly distributed and an expression of placid acuteness. It was evidently a face in which the range of representation was not large, so that the air of contented shrewdness was all the more of a merit. It seemed to tell that he had been successful in life, yet it seemed to tell also that his success had not been exclusive and invidious, but had had much of the inoffensiveness of failure.

He had certainly had a great experience of men, but there was an almost rustic simplicity in the faint smile that played upon his lean, spacious cheek and lighted up his humorous eye as he at last slowly and carefully deposited his big tea-cup upon the table. He was neatly dressed, in well-brushed black; but a shawl was folded upon his knees, and his feet were encased in thick, embroidered slippers. A beautiful collie dog lay upon the grass near his chair, watching the master's face almost as tenderly as the master took in the still more magisterial physiognomy of the house; and a little bristling, bustling terrier bestowed a desultory attendance upon the other gentlemen.

One of these was a remarkably well-made man of five-and-thirty, with a face as English as that of the old gentleman I have just sketched was something else; a noticeably handsome face, fresh coloured, fair and frank, with firm, straight features, a lively grey eye and the rich adornment of a chestnut beard. This person had a certain fortunate, brilliant exceptional look--the air of a happy temperament fertilised by a high civilisation--which would have made almost any observer envy him at a venture. He was booted and spurred, as if he had dismounted from a long ride; he wore a white hat, which looked too large for him; he held his two hands behind him, and in one of them--a large, white, well-shaped fist--was crumpled a pair of soiled dog-skin gloves.

His companion, measuring the length of the lawn beside him, was a person of quite a different pattern, who, although he might have excited grave curiosity, would not, like the other, have provoked you to wish yourself, almost blindly, in his place. Tall, lean, loosely and feebly put together, he had an ugly, sickly, witty, charming face, furnished, but by no means decorated, with a straggling moustache and whisker. He looked clever and ill--a combination by no means felicitous; and he wore a brown velvet jacket. He carried his hands in his pockets, and there was something in the way he did it that showed the habit was inveterate. His gait had a shambling, wandering quality; he was not very firm on his legs. As I have said, whenever he passed the old man in the chair he rested his eyes upon him; and at this moment, with their faces brought into relation, you would easily have seen they were father and son. The father caught his son's eye at last and gave him a mild, responsive smile.

"I'm getting on very well," he said.

"Have you drunk your tea?" asked the son.

"Yes, and enjoyed it."

"Shall I give you some more?"

The old man considered, placidly. "Well, I guess I'll wait and see." He had, in speaking, the American tone.

"Are you cold?" the son enquired.

The father slowly rubbed his legs. "Well, I don't know. I can't tell till I feel."

"Perhaps some one might feel for you," said the younger man, laughing.

"Oh, I hope some one will always feel for me! Don't you feel for me, Lord Warburton?"

"Oh yes, immensely," said the gentleman addressed as Lord Warburton, promptly. "I'm bound to say you look wonderfully comfortable."

"Well, I suppose I am, in most respects." And the old man looked down at his green shawl and smoothed it over his knees. "The fact is I've been comfortable so many years that I suppose I've got so used to it I don't know it."

"Yes, that's the bore of comfort," said Lord Warburton. "We only know when we're uncomfortable."

"It strikes me we're rather particular," his companion remarked.

"Oh yes, there's no doubt we're particular," Lord Warburton murmured. And then the three men remained silent a while; the two younger ones standing looking down at the other, who presently asked for more tea. "I should think you would be very unhappy with that shawl," Lord Warburton resumed while his companion filled the old man's cup again.

"Oh no, he must have the shawl!" cried the gentleman in the velvet coat. "Don't put such ideas as that into his head."

"It belongs to my wife," said the old man simply.

"Oh, if it's for sentimental reasons--" And Lord Warburton made a gesture of apology.

"I suppose I must give it to her when she comes," the old man went on.

"You'll please to do nothing of the kind. You'll keep it to cover your poor old legs."

"Well, you mustn't abuse my legs," said the old man. "I guess they are as good as yours."

"Oh, you're perfectly free to abuse mine," his son replied, giving him his tea.

"Well, we're two lame ducks; I don't think there's much difference."

"I'm much obliged to you for calling me a duck. How's your tea?" ....


Continue reading Chapter one here
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Sunday, September 1, 2013

BW36: RIP Seamus Heaney




Seamus Heaney, an Irish poet who won the Nobel Prize for Literature in 1995 passed away August 30 at the age of 74.   You can read or listen to his acceptance speech here and learn more about him and his poetry here.


The Harvest Bow


As you plaited the harvest bow
You implicated the mellowed silence in you
In wheat that does not rust
But brightens as it tightens twist by twist
Into a knowable corona,
A throwaway love-knot of straw.

Hands that aged round ashplants and cane sticks
And lapped the spurs on a lifetime of game cocks
Harked to their gift and worked with fine intent
Until your fingers moved somnambulant:
I tell and finger it like braille,
Gleaning the unsaid off the palpable,

And if I spy into its golden loops
I see us walk between the railway slopes
Into an evening of long grass and midges,
Blue smoke straight up, old beds and ploughs in hedges,
An auction notice on an outhouse wall—
You with a harvest bow in your lapel,

Me with the fishing rod, already homesick
For the big lift of these evenings, as your stick
Whacking the tips off weeds and bushes
Beats out of time, and beats, but flushes
Nothing: that original townland
Still tongue-tied in the straw tied by your hand.

The end of art is peace
Could be the motto of this frail device
That I have pinned up on our deal dresser—
Like a drawn snare
Slipped lately by the spirit of the corn
Yet burnished by its passage, and still warm. 


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Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post. 


Sunday, August 25, 2013

BW35 - Pick a book with a color in the title!






Are you ready for a mini challenge?  Choose a book to read with a color in the title. To make life interesting, yesterday afternoon,  I asked those online at Well Trained Mind to quickly pick a color, any color.  Drum roll please.  The first response was sage.  So I went on Amazon and Barnes and Noble and the results are: 

Texas! Sage


Sage Creek


Riders of the Purple Sage
 
A Woman Called Sage


Land Sharks: A Sage Adair Historical Mystery

The Sage and the Atheist

Which one do you think I should read?  

Your challenge is to pick a color, randomly and quickly as possible, but.... You can't pick the color yourself.   Have your hubby, wife, significant other, children or whomever you wish pick one for you and then search for a book with that color in the title.   Don't tell them why - just say "Quick, pick a color, any color and tell me what it is."  Then pick out a book to read with that color in the title.  Post in the comments which color they picked and what book you choose to read.  Have fun! 


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Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post. 


Saturday, August 17, 2013

BW34 - More Book News.



Oh my aching wishlist.  Just when I think I can resist adding to my wishlist or buying more books to add to my already teetering book stacks, new releases come along that I can't resist.  I just had to torture, err, share them with you.




Margaret Atwood's final book in the MaddAdam Trilogy which starts where Oryx and Crake and The Year of the Flood end.


Irish author Kevin Barry's book of short stories of characters in the Irish underbelly.




John Lawton's newest spy series with lead character, Joe Wilderness, a former British airman sent to Berlin after WWII to find former Nazis.




American debut of Pierre Lemaitre's first book in a mystery trilogy centered around the kidnapping of a woman in Paris.


Just a few book that caught my attention from Publisher Weekly's 2013 Fall Books Preview.  Check out the list for the stand out books for Fall.

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Link to your reviews:    Please link to your specific book review post and not your general blog link. In the Your Name field, type in your name and the name of the book in parenthesis. In the Your URL field leave a link to your specific post. If you don't have a blog, tell us about the books you are reading in the comment section of this post. 

Sunday, August 11, 2013

BW33: A Piece of Chalk by G.K. Chesterton


 Prang Ambrite Art Chalk Assorted Colors


It is one of those days that my mind can't settle on any one specific thing, so I browsed the interwebz, reading, and contemplating on what should I talk about today.  Then I remember a classic essay that I've read a few times and it's always given me food for thought. 

 A Piece of Chalk by G.K. Chesterton



I remember one splendid morning, all blue and silver, in the summer holidays when I reluctantly tore myself away from the task of doing nothing in particular, and put on a hat of some sort and picked up a walking-stick, and put six very bright-colored chalks in my pocket. I then went into the kitchen (which, along with the rest of the house, belonged to a very square and sensible old woman in a Sussex village), and asked the owner and occupant of the kitchen if she had any brown paper. She had a great deal; in fact, she had too much; and she mistook the purpose and the rationale of the existence of brown paper. 

She seemed to have an idea that if a person wanted brown paper he must be wanting to tie up parcels; which was the last thing I wanted to do; indeed, it is a thing which I have found to be beyond my mental capacity. Hence she dwelt very much on the varying qualities of toughness and endurance in the material. I explained to her that I only wanted to draw pictures on it, and that I did not want them to endure in the least; and that from my point of view, therefore, it was a question, not of tough consistency, but of responsive surface, a thing comparatively irrelevant in a parcel. When she understood that I wanted to draw she offered to overwhelm me with note-paper.

I then tried to explain the rather delicate logical shade, that I not only liked brown paper, but liked the quality of brownness in paper, just as I like the quality of brownness in October woods, or in beer. Brown paper represents the primal twilight of the first toil of creation, and with a bright-colored chalk or two you can pick out points of fire in it, sparks of gold, and blood-red, and sea-green, like the first fierce stars that sprang out of divine darkness. All this I said (in an off-hand way) to the old woman; and I put the brown paper in my pocket along with the chalks, and possibly other things. I suppose every one must have reflected how primeval and how poetical are the things that one carries in one's pocket; the pocket-knife, for instance, the type of all human tools, the infant of the sword. Once I planned to write a book of poems entirely about things in my pockets. But I found it would be too long; and the age of the great epics is past.

With my stick and my knife, my chalks and my brown paper, I went out on to the great downs. . . .

I crossed one swell of living turf after another, looking for a place to sit down and draw. Do not, for heaven's sake, imagine I was going to sketch from Nature. I was going to draw devils and seraphim, and blind old gods that men worshipped before the dawn of right, and saints in robes of angry crimson, and seas of strange green, and all the sacred or monstrous symbols that look so well in bright colors on brown paper. They are much better worth drawing than Nature; also they are much easier to draw.

When a cow came slouching by in the field next to me, a mere artist might have drawn it; but I always get wrong in the hind legs of quadrupeds. So I drew the soul of a cow; which I saw there plainly walking before me in the sunlight; and the soul was all purple and silver, and had seven horns and the mystery that belongs to all beasts. But though I could not with a crayon get the best out of the landscape, it does not follow that the landscape was not getting the best out of me. And this, I think, is the mistake that people make about the old poets who lived before Wordsworth, and were supposed not to care very much about Nature because they did not describe it much.

They preferred writing about great men to writing about great hills; but they sat on the great hills to write it. The gave out much less about Nature, but they drank in, perhaps, much more. They painted the white robes of their holy virgins with the blinding snow, at which they had stared all day. . . The greenness of a thousand green leaves clustered into the live green figure of Robin Hood. The blueness of a score of forgotten skies became the blue robes of the Virgin. The inspiration went in like sunbeams and came out like Apollo.

But as I sat scrawling these silly figures on the brown paper, it began to dawn on me, to my great disgust, that I had left one chalk, and that a most exquisite and essential chalk, behind. I searched all my pockets, but I could not find any white chalk. Now, those who are acquainted with all the philosophy (nay, religion) which is typified in the art of drawing on brown paper, know that white is positive and essential. I cannot avoid remarking here upon a moral significance. 

One of the wise and awful truths which this brown-paper art reveals, is this, that white is a color. It is not a mere absence of color; it is a shining and affirmative thing, as fierce as red, as definite as black. When, so to speak, your pencil grows red-hot, it draws roses; when it grows white-hot, it draws stars. And one of the two or three defiant verities of the best religious morality, of real Christianity, for example, is exactly this same thing; the chief assertion of religious morality is that white is a color. Virtue is not the absence of vices or the avoidance of moral dangers; virtue is a vivid and separate thing, like pain or a particular smell. Mercy does not mean not being cruel, or sparing people revenge or punishment; it means a plain and positive thing like the sun, which one has either seen or not seen.

Chastity does not mean abstention from sexual wrong; it means something flaming, like Joan of Arc. In a word, God paints in many colors; but he never paints so gorgeously, I had almost said so gaudily, as when He paints in white. In a sense our age has realized this fact, and expressed it in our sullen costume. For if it were really true that white was a blank and colorless thing, negative and non-committal, then white would be used instead of black and grey for the funereal dress of this pessimistic period. Which is not the case.
Meanwhile I could not find my chalk.

I sat on the hill in a sort of despair. There was no town near at which it was even remotely probable there would be such a thing as an artist's colorman. And yet, without any white, my absurd little pictures would be as pointless as the world would be if there were no good people in it. I stared stupidly round, racking my brain for expedients. Then I suddenly stood up and roared with laughter, again and again, so that the cows stared at me and called a committee. Imagine a man in the Sahara regretting that he had no sand for his hour-glass. Imagine a gentleman in mid-ocean wishing that he had brought some salt water with him for his chemical experiments. I was sitting on an immense warehouse of white chalk. 

The landscape was made entirely of white chalk. White chalk was piled more miles until it met the sky. I stooped and broke a piece of the rock I sat on: it did not mark so well as the shop chalks do, but it gave the effect. And I stood there in a trance of pleasure, realizing that this Southern England is not only a grand peninsula, and a tradition and a civilization; it is something even more admirable. It is a piece of chalk.
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Sunday, August 4, 2013

BW32: Return of the Native by Thomas Hardy

The Return of the Native 
Book #13 in Susan Wise Bauer's list of great fiction in Well Educated Mind is  The Return of the Native by Thomas Hardy.  This was Hardy's sixth published novel and was first presented in serial form in the  Belgravia, a magazine known for publishing sensation fiction. 

Barnes and Noble Synopsis:  "O deliver my heart from this fearful gloom and loneliness," prays the passionate Eustacia Vye, who detests her life amid the dreary environs of Egdon Heath. With the return of Clym Yeobright from Paris, her escape from the heath and its brooding isolation appears to be at hand. Clym finds in Eustacia the same dark mystery of his native heath, and his irresistible attraction to them both leads to a clash of idealism and realism. Thomas Hardy's timeless tale of a romantic misalliance embodies his view of character as fate and underscores the tragic nature of ordinary human lives. Despite his grim outlook, Hardy charms readers with the warmth and vitality of his characters, his loving portraits of the English countryside, and his realistic recreations of local dialect. Shakespearian in its intricate plotting and deft irony, The Return of the Native ranks among the author's greatest works.




Chapter One: A Face in which time makes little impression

A Saturday afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor.
The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an installment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky.

Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking and dread. In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time.

It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn; then, and only then, did it tell its true tale. The spot was, indeed, a near relation of night, and when night showed itself an apparent tendency to gravitate together could be perceived in its shades and the scene. The sombre stretch of rounds and hollows seemed to rise and meet the evening gloom in pure sympathy, the heath exhaling darkness as rapidly as the heavens precipitated it. And so the obscurity in the air and the obscurity in the land closed together in a black fraternization towards which each advanced halfway.

The place became full of a watchful intentness now; for when other things sank blooding to sleep the heath appeared slowly to awake and listen. Every night its Titanic form seemed to await something; but it had waited thus, unmoved, during so many centuries, through the crises of so many things, that it could only be imagined to await one last crisis--the final overthrow. It was a spot which returned upon the memory of those who loved it with an aspect of peculiar and kindly congruity. Smiling champaigns of flowers and fruit hardly do this, for they are permanently harmonious only with an existence of better reputation as to its issues than the present.

Twilight combined with the scenery of Egdon Heath to evolve a thing majestic without severity, impressive without showiness, emphatic in its admonitions, grand in its simplicity. The qualifications which frequently invest the facade of a prison with far more dignity than is found in the facade of a palace double its size lent to this heath a sublimity in which spots renowned for beauty of the accepted kind are utterly wanting. Fair prospects wed happily with fair times; but alas, if times be not fair! Men have oftener suffered from, the mockery of a place too smiling for their reason than from the oppression of surroundings oversadly tinged.

 Haggard Egdon appealed to a subtler and scarcer instinct, to a more recently learnt emotion, than that which responds to the sort of beauty called charming and fair. Indeed, it is a question if the exclusive reign of this orthodox beauty is not approaching its last quarter. The new Vale of Tempe may be a gaunt waste in Thule; human souls may find themselves in closer and closer harmony with external things wearing a somberness distasteful to our race when it was young. The time seems near, if it has not actually arrived, when the chastened sublimity of a moor, a sea, or a mountain will be all of nature that is absolutely in keeping with the moods of the more thinking among mankind.

 And ultimately, to the commonest tourist, spots like Iceland may become what the vineyards and myrtle gardens of South Europe are to him now; and Heidelberg and Baden be passed unheeded as he hastens from the Alps to the sand dunes of Scheveningen. The most thoroughgoing ascetic could feel that he had a natural right to wander on Egdon--he was keeping within the line of legitimate indulgence when he laid himself open to influences such as these. Colours and beauties so far subdued were, at least, the birthright of all. Only in summer days of highest feather did its mood touch the level of gaiety. Intensity was more usually reached by way of the solemn than by way of the brilliant, and such a sort of intensity was often arrived at during winter darkness, tempests, and mists.

Then Egdon was aroused to reciprocity; for the storm was its lover, and the wind its friend. Then it became the home of strange phantoms; and it was found to be the hitherto unrecognized original of those wild regions of obscurity which are vaguely felt to be compassing us about in midnight dreams of flight and disaster, and are never thought of after the dream till revived by scenes like this. It was at present a place perfectly accordant with man's nature--neither ghastly, hateful, nor ugly; neither commonplace, unmeaning, nor tame; but, like man, slighted and enduring; and withal singularly colossal and mysterious in its swarthy monotony.

 As with some persons who have long lived apart, solitude seemed to look out of its countenance. It had a lonely face, suggesting tragical possibilities. This obscure, obsolete, superseded country figures in Domesday. Its condition is recorded therein as that of heathy, furzy, briary wilderness--"Bruaria." Then follows the length and breadth in leagues; and, though some uncertainty exists as to the exact extent of this ancient lineal measure, it appears from the figures that the area of Egdon down to the present day has but little diminished.

"Turbaria Bruaria"--the right of cutting heath-turf--occurs in charters relating to the district. "Overgrown with heth and mosse," says Leland of the same dark sweep of country. Here at least were intelligible facts regarding landscape--far-reaching proofs productive of genuine satisfaction. The untameable, Ishmaelitish thing that Egdon now was it always had been. Civilization was its enemy; and ever since the beginning of vegetation its soil had worn the same antique brown dress, the natural and invariable garment of the particular formation. In its venerable one coat lay a certain vein of satire on human vanity in clothes.

A person on a heath in raiment of modern cut and colours has more or less an anomalous look. We seem to want the oldest and simplest human clothing where the clothing of the earth is so primitive. To recline on a stump of thorn in the central valley of Egdon, between afternoon and night, as now, where the eye could reach nothing of the world outside the summits and shoulders of heathland which filled the whole circumference of its glance, and to know that everything around and underneath had been from prehistoric times as unaltered as the stars overhead, gave ballast to the mind adrift on change, and harassed by the irrepressible New.

 The great inviolate place had an ancient permanence which the sea cannot claim. Who can say of a particular sea that it is old? Distilled by the sun, kneaded by the moon, it is renewed in a year, in a day, or in an hour. The sea changed, the fields changed, the rivers, the villages, and the people changed, yet Egdon remained. Those surfaces were neither so steep as to be destructible by weather, nor so flat as to be the victims of floods and deposits. With the exception of an aged highway, and a still more aged barrow presently to be referred to--themselves almost crystallized to natural products by long continuance--even the trifling irregularities were not caused by pickaxe, plough, or spade, but remained as the very finger-touches of the last geological change.

The above-mentioned highway traversed the lower levels of the heath, from one horizon to another. In many portions of its course it overlaid an old vicinal way, which branched from the great Western road of the Romans, the Via Iceniana, or Ikenild Street, hard by. On the evening under consideration it would have been noticed that, though the gloom had increased sufficiently to confuse the minor features of the heath, the white surface of the road remained almost as clear as ever.


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Sunday, July 28, 2013

BW31: The Man Booker Prize Long List for 2013



The long list for The Man Booker Prize for 2013 has just been announced this past week and there are some very interesting books on the list, some of which I've already added to my wishlist.  The Booker Prize foundation is a registered charity sponsored by The Man Group, an alternate investment management business.  The prize is awarded to the best full length novel written by an author who is a citizen of the Commonwealth or the Republic of Ireland and published in the United Kingdom for the first time in the year of the prize. The story must be written in English and can not be self published.





The nominees are:

A Tale for the Time Being by  Ruth Ozeki

Almost English by Charlotte Mendelson

Five Star Billionaire by Tash Aw 
 
Harvest by Jim Crace

The Kills by Richard House 

The Lowland by Jhumpa Lahiri

The Luminaries by  Eleanor Catton 


The Spinning Heart by  Donal Ryan 

The Testament of Mary by Colm Toibin 

TransAtlantic by Colum McCann 

Unexploded by Alison MacLeod 

We Need New Names by Noviolet Bulawayo


The shortlist will be announced September 10, 2013 and the winner on October 15, 2013 and the prize to the winner is £50,000.

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